Tuesday 20 October 2009

Entertainment Focus - 20/Oct/2009


Interview: Luke Macfarlane


Luke Macfarlane is quickly establishing himself as a leading man in Hollywood by bringing a winning combination of charm, versatility and intelligence to his roles. He plays Scotty Wandell in the critically-acclaimed drama Brothers & Sisters – and with the season three DVD released this week, we bring you an interview with the actor about his role on the show.

You appeared in the first season of 'Brothers & Sisters' as a guest star. Did you know back then that you would become a cast regular by the third season?

It's funny, but I never imagined I would be a cast regular on Brothers & Sisters – especially by way of marriage. I remember riding bikes over to one of the sets a while ago and asking Matthew Rhys [who plays Luke’s lover on the show], “What do they have in store for us?" And he said, "I think we're getting married." It was a total surprise to me.

Were you excited about the prospect of becoming a series regular?

Definitely. It's always really nice when you come into something and your agents tell you, "There's a possibility for you to become a series regular here." However, it was a complete surprise because I had no idea where they were going with the storyline. In fact, I continue to have no idea where they're going with it.

Was there an immediate chemistry between you and Matthew Rhys?

We always got along very, very well and there was never any awkwardness between us. Matthew was ready to jump into the gay love affair with great aplomb, which was fantastic. I don't think we've ever had any tension between us. It’s always been great.

Do you receive much fan mail on the show?

I’ve had a number of letters from the gay community talking about the lack of role models for gay people on television and how happy they are to see Scotty and Kevin together. I really applaud the show’s creators for depicting a real romance for them. I’m glad they didn’t go for any clichés.

Do you receive more letters from women or men?

I'm always surprised that I get as many letters from girls as I do from boys. In fact, I'm always amazed at the care these people put into some of the letters. Sometimes I get drawings and it’s totally flattering. At the end of the day, we wake up really early in the morning and we go to work to do our thing. We sometimes forget that the show gets beamed out into the universe, so it’s always very touching and flattering to receive mail about it.

How long does it take to shoot an episode?

We usually work on nine-day episodes. Hopefully they give us the script about a week in advance, but as you approach the end of a season, it sometimes arrives about two days before we start on an episode. I think we're very fortunate because we have such terrific writers and terrific actors – and there is a real sense of collaboration on the show.

Do you have much input into your character?

Sure. After the first table read, which they try to do for every episode, the actors can approach the writers and say, "I think I might want to do this." I love the way it’s open for us to do that. From my experience on other television shows, I haven’t seen as much collaboration between the actors and the writers. We're very fortunate onBrothers & Sisters.

Can you change the wording in the script if you're not satisfied with it?

Well, you can talk about it with the writers and change things. With certain producers you have to say every line as it’s written in the script, but there are other producers who let you do your own thing. That’s not to say we don't respect the scripts tremendously – but the longer the show goes on, the more the actor owns the part. The writers and producers start to encourage us to say what we want to say.

Your character marries Kevin Walker in the show, but that’s something that most gay couples in California cannot do anymore. How did this storyline come about?

I find this a fascinating story because I think the election happened about a week after the show aired in the States – and then Prop 8 didn’t pass. It was amazing that we’d done this thing that was, without foresight, very provocative.

Did you enjoy filming the wedding scene?

It was wonderful. It kind of felt like we were doing something big – and it was all done with great care. The writers spoke with someone who had officiated gay marriages, so the words were very accurate and in line. It was all really beautiful.

How well does the cast get along?

We all get along extremely well. There’s a great camaraderie on our set and everyone is very professional. We all get on with our work, but we also hang out together when we’re not working. It’s a great show in that respect.

What’s it like to work with Matthew Rhys?

It’s great. Matthew is an incredible actor and an incredible guy. We both come from theatre backgrounds, so our approach to the material is very similar. I couldn't be happier.

And what’s it like to work with Sally Field?

Sally Field is amazing. She really makes you raise your game when you’re on set. She’s like a leader in some ways. I remember one time specifically when we were filming a dinner scene and there was a lot of chatter among the cast. It was late at night and we’d had a really long day, but she just stood up and said, "Everybody be quiet." Everyone went quiet. She has that kind of effect.

'Brothers and Sisters: Season Three' is available to buy now.

Sunday 11 October 2009

GOLIATH - 11/Oct/2009

[Souce]

Dudamel dazzles at Philharmonic's opening night.

Publication: Daily News (Los Angeles, CA)
Publication Date: 11-OCT-09
Format: Online
Delivery: Immediate Online Access
Full Article Title: Dudamel dazzles at Philharmonic's opening night.(L.A. Life)

Article Excerpt
Byline: Rob Lowman, Staff Writer

Gustavo Dudamel was dancing - literally - after his official debut as new music director of the Los Angeles Philharmonic at a sold-out concert Thursday night at Walt Disney Concert Hall.

And why not? The 28-year-old Venezuelan conductor and his wife, Eloisa - wearing a strapless, tiered floor-length red dress - took to the dance floor to a Latin beat at the post-concert gala on what can be described as a joyous night for the symphony orchestra.

There had been a lot of hoopla surrounding Dudamel's arrival, and Thursday night was no different, with a wide range of celebrities - Andy Garcia, Angela Bassett and Courtney Vance, Sophia Bush, Dana Delany, Jenna Elfman, Rachel Griffiths, Don Johnson, Herbie Hancock, Tom Hanks and Rita Wilson, Quincy Jones, Eriq La Salle, Luke Macfarlane, Sidney Poitier, Jason Schwartzman and William Shatner, as well as Los Angeles Mayor Antonio Villaraigosa and other city and county officials.

Although some of them may have expected it, Dudamel wasn't there to perform magic. He had been brought in by the Phil to put a new, young face on classical music in Los Angeles. And what the city learned Thursday - if it didn't know it already - it's a very appealing face with lots of talent behind it.

Dressed in black tails and white tie, the conductor walked onstage and briefly acknowledged the crowd with a smile before giving an almost violent downbeat to begin to John Adams' "City Noir," a world premiere that had been commissioned by the Philharmonic.

With echoes of urban jazz and 1940s and 1950s' movie themes, the work - inspired by the Raymond Chandler Los Angeles of the era - begins with syncopated clarinets punctuated by straining bits of strings before blossoming into a concrete dreamscape.

Lively sax solos give way to sultry trombone solos and then jittery, foreboding sections that echo the uneasiness of the times.

This rich work by Adams, who is the creative chair of the Philharmonic, was easy to get lost in, as if wandering down city streets and unexpectedly finding yourself in an unfamiliar - and sometimes dangerous - territory, which eventually gives way to an electrifying finale. They'll be some snap judgments about it, but there's a lot in it to process on one listening, and "City Noir" is certainly a musical journey worth taking again.

As he conducted from a score (Adams had been tinkering with the work until recently), Dudamel seemed to prowl the podium, trying to wring the emotions and mystery from the work, and the orchestra responded with an animated, compelling performance.

(Unfortunately, you'll have to wait until Nov. 27-29 to hear it performed again live by the Phil as part of its West Coast, Left Coast festival. But Thursday's concert was recorded for PBS, and "Gustavo Dudamel and the Los Angeles Philharmonic: The Inaugural Concert" will air at 8 p.m. Oct. 21 on KCET.)

For those looking for a definitive decision on "City Noir," remember what was written about the work that made up the second half of the concert - Mahler's Symphony No. 1. When it debuted in 1894, the German musical press condemned it as "a crime against law and order in the realm of...

AfterElton - 11/Oct/2009

[Source]

Ask the Flying Monkey! (October 12, 2009)
Posted byBrent Hartinger on October 11, 2009

Have a question about gay male entertainment? Send it to aftereltonflyingmonkey@yahoo.com! (Please include your city and state and/or country.)

Q: Can you please help us get more details on Luke Macfarlane's involvement in a Canadian movie Iron Road? He plays a straight guy who falls in love with a woman who was disguised as a boy and has a total nude scene which is gorgeous and sexy. -- Bclee


A: Who is this, the publicist for Iron Road? You’re a smart one. By getting me to publish your email on AfterElton.com, you should sell at least a few thousand extra copies of the movie.

Charlotte Sullivan and Luke Macfarlane in Iron Road


Iron Road, a $10 million Canada/Chinese production, tells the sad story of the building of the Canadian Pacific Railroad, and of the many Chinese workers who were tricked into slavery and lost their lives in the rail’s construction. A Chinese girl dresses as a boy to look for her father, one of the railroad’s workers. Along the way, she has an affair with Macfarlane’s character, the son of a railroad baron.

”I really wanted to do something that was Canadian,” Macfarlane, an Ontario native, told TV Guide (Canada). “Then this came along, and it seemed like the perfect Canadian thing to do. Also, growing up, I watched these great CBC TV-movies, and said, ‘I want to do that!’”

Now I’m sorry to disappoint you, Iron Road publicist, but I feel it’s important to inform my readers that while Luke does seem to have a very brief nude scene, he used a body double for the "good parts" — at least according to Kong Chang over at the fan site LukeMacfarlaneOnline.com, who tells me:
I've analyzed the scene, and yes, it is a body double, as Luke still retains his long underwear during the water scene (you can see the outline of the fabric when he is swimming). Plus Luke has hairier legs than the body double and although the build is very similar, Luke does not have love handles...even small amounts of them either. Though this movie was filmed in 2007 and Luke has buffed up some and lost some weight since (especially his small beer gut), I went through the scenes with a combed brush. What you see of Luke stripping to the long underwear is all Luke, what you see from the underwear scene onward is the body double.
Iron Road publicist, I’d ask you to tell me if Kong is right or not, but I’m certain you’d lie.